Bradfordian Mariam Ansar found it difficult to relate to fellow Muslims in Cambridge (MEE/Mohamad Elaasar)

Today the silent majority of Muslims pray and buy treats for their family after dinner. They struggle with their hijab, and search TikTok for style tips. They play football and argue about their teams with stringent fervour. Editor Sara Jafari acquired world rights from Claire Wilson at RCW. The novel is set to be published in spring 2023. The synopsis reads: “Eman is the awkward girl whose favourite evenings are spent at home watching soaps with her Nani. Amir is the angry boy who won’t talk about the brother he lost but won’t let his name be forgotten either. Kemi is fast and fierce and beautiful, and knows she deserves as good a shot as anyone else, if only she can get to the starting line. Family restaurants boom with shoddily planned weddings and an extensive mithai collections. The barbers are perpetually busy, the Asian supermarket is manned by the wise and the vicious. Young people are dealt their silent struggles and go about their business under the watchful eye of their parents and the police.Sara Jafari, Editor, says: ‘A coming of age story for our times, Good For Nothing is a snapshot into the lives of three teenagers, Amir, Kemi and Eman, and explores the highs and lows of what it’s like to grow up as people of colour in the North of England – which we so rarely see. As soon as we read this all of us at Puffin knew we had something seriously special on our hands. Good For Nothing is emotional and heart-breaking – but also funny and relatable – and completely unlike anything I have read before. We are so proud to be the publisher launching Mariam’s writing career as a new literary talent to watch.’ Why did you choose to set your book in a fictional town and not your home town of Bradford and what, if any, elements of Bradford did you use to build that world?

Mariam Ansar says: ‘This book is a love letter to every forgotten northern town, every young person of colour that has struggled to feel understood not simply in the depths of their misery – but also in the depths of their private joy. This one is for those whose smiles are sometimes read as troublesome, whose laughter is falsely labelled disruptive, whose silences are often misinterpreted. I hope it soothes. I hope it provokes anger. I hope it causes laughter upon laughter – and a secret tiny sob. My endless thanks goes to Sara and the team at Penguin Random House for their support with nurturing Good For Nothing, WriteNow for seeing something in its ugly baby stage, and of course, Claire Wilson, for helping me walk the story – slowly and carefully – to life.’ Though the narrative changed after these initial thoughts, Zayd’s death did end up becoming the catalyst for the entire novel. I’m not actively trying to teach anyone anything or trying to dispel a stereotype. I’m letting people be themselves. I work as a teacher in quite a deprived area. There’s a defiant “it is what it is” mentality here and I respect that. There’s this idea that we have to be palatable and soft and that we have to do all these things to be seen as exceptional. My three main characters are not the perfect representation of being Muslim or a person of colour. That was very intentional. So it was during a free hour in my college room, when I felt particularly isolated from the ivory tower I believed I’d chanced myself into, that a character called Eman, and another called Amir, and another who would later be named Kemi, strolled into my head.When I was at Cambridge, I attended lectures and ran into supervisors who told me that the reason why the accent I had at the time didn’t pronounce its "Ts" was less to do with it being northern and more to do with it being working class. Mariam Ansar, 27, is a Bradford-born writer and secondary school English teacher. Her debut novel, Good For Nothing, was published by Penguin Random House in March 2023. The young adult story follows three teenagers, Amir, Eman and Kemi, living in a divided northern town.